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Uncanny Synaesthesia(s): The Interplay Between Forms, Sounds, and Colours in Samuel Beckett’s Play and Wassily Kandinsky’s In Grey

Abdellatif Ben Halima ¹

University of Sousse, Sousse, Tunisia |

Publication type: Book Chapter

Publication date: 2024-09-30

Springer Nature

DOI: 10.1007/978-3-031-67165-4_9

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Abstract

In one of those very rare occasions when the Irish playwright compares his own vision to that of his contemporaries, Samuel Beckett declares.

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Springer Nature