Applied Theatre Research, volume 8, issue 1, pages 149-152

Community puppetry in Ireland

Publication typeJournal Article
Publication date2020-07-01
scimago Q2
SJR0.130
CiteScore0.7
Impact factor0.2
ISSN20493010, 20493029
Cultural Studies
Literature and Literary Theory
Visual Arts and Performing Arts
Abstract

In this artist statement, Karen Torley explores the context of professional puppetry in the community. She provides an outline about how she introduces puppetry to a group setting with care and sensitivity. She presents her important methods that activate a puppet and describes how she has used these throughout her practice. Her approach emphasizes the connection of breath, belief, focus and touch (BBFT). She also describes how her work can connect to people with some anecdotal examples of puppetry in communities.

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