volume 16 issue 4-2 pages 404-413

“Russian East” as а Symbol of National Distinctive Beauty in the Music of S. Rachmaninoff

Irina Rodicheva
Publication typeJournal Article
Publication date2024-12-26
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ISSN20750862, 2658350X
Abstract

This article explores the development of Orientalism in the works of Sergei Rachmaninoff, who, influenced by both Russian and Eastern musical traditions, creates a unique synthesis of cultural elements. Here, the expression of national identity is reflected through the lens of personal experience. The music of one of the greatest Russian composers of the 20th century represents a complex intertwining of cultural influences, emphasizing the uniqueness of the Russian character, which is marked by a pursuit of infinity and freedom through the concept of “elemental forces”, as well as through symbols of rebellion, space, and solitude. The article highlights the importance of understanding Russian culture not merely as a collection of customs and traditions, but as a valuable mosaic piece of the global cultural palette, unique in its multifaceted nature and depth of meaning. The author analyzes how Eastern motifs in the composer’s works become not just exotic insertions, but vital structural components that reflect the musician’s inner world and personal experiences. Through an examination of pieces such as “Piano Concerto No. 2”, “Symphony No. 2”, “Études-Tableaux for Piano, Op. 39”, and “Alexander Nevsky”, it is shown how Rachmaninoff transforms Eastern melodies, adapting them to his artistic language and creating multilayered musical textures. The article emphasizes that Orientalism in Rachmaninoff’s music serves not only as a means of self-expression but also as a philosophical tool for contemplating questions of human nature and identity. In conclusion, it is underscored that the composer shapes a musical space where personal and national experiences intertwine, creating a profound emotional revelation that mirrors the complex nature of the Russian spirit, reflecting its quest for self-understanding and comprehension of the surrounding world. It concludes that through his artistry, Sergei Vasilievich Rachmaninoff advocates for the preservation and understanding of Russian culture as an integral part of the world’s cultural heritage, which is crucial not only for maintaining historical memory and spiritual legacy but also for enriching humanity as a whole.

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Rodicheva I. “Russian East” as а Symbol of National Distinctive Beauty in the Music of S. Rachmaninoff // Ideas and Ideals. 2024. Vol. 16. No. 4-2. pp. 404-413.
GOST all authors (up to 50) Copy
Rodicheva I. “Russian East” as а Symbol of National Distinctive Beauty in the Music of S. Rachmaninoff // Ideas and Ideals. 2024. Vol. 16. No. 4-2. pp. 404-413.
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TY - JOUR
DO - 10.17212/2075-0862-2024-16.4.2-404-413
UR - https://ideaidealy.nsuem.ru/en/articles/russkiy-vostok-kak-simvol-nacionalnoy-samobitnoy-krasoti-v-muzike-s-rahmaninova
TI - “Russian East” as а Symbol of National Distinctive Beauty in the Music of S. Rachmaninoff
T2 - Ideas and Ideals
AU - Rodicheva, Irina
PY - 2024
DA - 2024/12/26
PB - Novosibirsk State Technical University
SP - 404-413
IS - 4-2
VL - 16
SN - 2075-0862
SN - 2658-350X
ER -
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Cite this
BibTex (up to 50 authors) Copy
@article{2024_Rodicheva,
author = {Irina Rodicheva},
title = {“Russian East” as а Symbol of National Distinctive Beauty in the Music of S. Rachmaninoff},
journal = {Ideas and Ideals},
year = {2024},
volume = {16},
publisher = {Novosibirsk State Technical University},
month = {dec},
url = {https://ideaidealy.nsuem.ru/en/articles/russkiy-vostok-kak-simvol-nacionalnoy-samobitnoy-krasoti-v-muzike-s-rahmaninova},
number = {4-2},
pages = {404--413},
doi = {10.17212/2075-0862-2024-16.4.2-404-413}
}
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Rodicheva, Irina. ““Russian East” as а Symbol of National Distinctive Beauty in the Music of S. Rachmaninoff.” Ideas and Ideals, vol. 16, no. 4-2, Dec. 2024, pp. 404-413. https://ideaidealy.nsuem.ru/en/articles/russkiy-vostok-kak-simvol-nacionalnoy-samobitnoy-krasoti-v-muzike-s-rahmaninova.